Sunday, March 16, 2014

A rant on my education. By: Rachel Sternik

Over the last couple of weeks we have done some interesting things, some of which have made a lasting impression, others, not so much.
The first thing that I want to touch on was the prezi (is that how you spell it?) that we watched in class. While actually sitting and watching it, it didn’t really affect me, but as I go on, little bits of info keep popping up in my head from it, so I think it made an impact. The vegetable Oedipus messed me up for good though.
The second thing that was interesting was the doc that we had to read about the native American culture. It really helped introduce the writing style of ceremony to me. The actual information from the doc was awesome too, and without it, reading ceremony would be a hardcore struggle.
Then we discussed ceremony after all that shenanigans. Honestly, the discussion was a little rough. Okay, maybe more than a little. I felt like the discussion got away from me, and by the time I figured out what everyone was talking about, they had moved on. I’m curious to see what the next discussion will be like though.
Let’s talk about lenses. Did you know that they are really cool and help you understand a work better when you use multiple different lenses? Because I sure didn’t. I feel like this discussion would have been better, oh, I don’t know, maybe at the beginning of the year? Discussing American Dream and Death of a Salesman would have been so much easier. I feel like we covered way more in one of the days with lenses than we ever did actually discussing the work and trying to pick it apart.
The “lenses” days (that’s what I’ve decided to call them.) were basically me just trying to contain the bits of my blown mind. Seriously, it was great. But it also made me wonder: how far would we have gotten if we had always looked at works under these lenses? Not just in AP. In all of school. How many works of pure genius did I just skip over thinking that they were meaningless? Then I started to get a little angry. I feel like the school really skimped on my education up until this point. Not to mention I’m going off to college, full of people that have been using these techniques for years, and I’m going to walk in and look like an idiot. And what about those who choose not to take AP? Are they just going to live their lives barely scraping the surface of their favorite books? I feel like it’s my duty to educate these poor, poor souls.
I’m sure I forgot other things, but that’s most of what we covered in class.          

Thursday, March 6, 2014

Rosencrantz and Guildenstern are dead

Misc. Information
Author: Tom Stoppard
Setting: a little bit of everywhere, the setting isn’t very detailed and leaves the reader a little bit confused.
Characters
Rosencrantz: Like a child in many ways. He tends to stumble upon riches (in the beginning when they are flipping coins) and in the movie, he stumbles upon many different concepts from physics. He is seen as less intelligent than Guildenstern. He is confused for Guildenstern in the play, to the point where it is seen as a motif of the play.
Guildenstern: More of an adult figure. He looks out for Rosencrantz. As a more intelligent character, he tries to use logic to understand his situation, but whenever he gets close to understanding the situation, he forgets.
Player: He seems to be more in control of the play than R and G (I’ve decided that typing Rosencrantz and Guildenstern is really repetitive and takes a lot of time, so I’m just going to call them R and G) are, and seems to understand that the play is a loop. He is seen as a more powerful character, and he understands the dynamic of the play better.
Claudius, Gertrude, Hamlet, and Ophelia: Not very major characters, but because they were big in Hamlet, I thought it would be rude not to include them.
Tragedians: The “actors” in the play that Hamlet hires, they are like the player’s posse. This includes Alfred, who, out of all the tragedians, is the only one who has a real name.
Summary
The play opens on R and G flipping coins. A strange phenomenon has occurred, where the coin is only coming up heads. R has been calling heads the whole time, so his bag of money is fuller than G’s. G tries to explain this by using many “laws” that are incorrect.
They stop flipping coins and think about how they got to the point that they’re at. They remember that a messenger called for them. Other than that, the readers learn that R and G forget things almost as soon as they happen.
After this deep heart to heart, they stumble across the player and the tragedians. It soon becomes vary apparent that the player is trying to sell R and G sex, however R and G are oblivious, so the player tries to drop more obvious hints, it becomes nearly painful for the reader.
After this silly encounter, R and G suddenly appear in Elsinore! (what!?!) they are told that Hamlet has gone crazy, and that (being his two best friends) they should find out what is troubling him, and try to help fix it. This proves to be quite the issue later on when they cannot find him.
Before Hamlet goes off on his crazy killing spree (just kidding, he only kills Polonius), R and G run into the Player and his tragedians, who are angered by the fact that R and G just left them in the woods. He soon gets over it, and R and G explain their situation with Hamlet. He tries to lend some helpful advice.
The player leaves and we learn that Polonius has been killed. It is R and G’s job to find Hamlet and Polonius’ body. Gertrude and Claudius decide that it’s a good idea to send Hamlet to England, and so R and G go with him. However, instead of actually getting on a boat, they magically appear on it in a dark room.
On the boat they talk about many different things, but one reoccurring conversation was the one about G liking boats, and how he would totally live on one if given the chance (however, we know this will never happen.) It’s reflected back in the end with the quote “our first mistake was getting on a boat.” But we’ll get to that later. First lets talk about the other stuff that happens.
R and G practice what they’ll say to the king of England, and accidentally open up the letter tat was given to them by the king. They learn that Hamlet is to be put to death. However, Hamlet was also listening to them practice, and realizes that he is going to his death. He plans against this and writes a different letter, about R and G’s death, and closes it with his royal seal.
R and G come across the player and the tragedians, but before they can fully greet each other, the boat is attacked by pirates!! Hamlet hops a ride with the pirates, and R and G are flustered! What are they to do? They practice their revised lines now, and accidentally open the letter again! This time, instead of mentioning Hamlets death, they read about their own impending doom. The player tries to console R and G, but as the play comes to a close, G starts to understand that the play is just a loop, and they will just be reborn the next time someone opens Hamlet (the book)
Stuff that happens that isn’t necessarily important about the summary, but still means stuff to the book.
·         The repetition of conversations is a common motif in the play, but the information that is repeated isn’t necessary.
·         The ‘Question and Answer’ game
·         R and G practicing their lines when they aren’t in the play of Hamlet
·         Repetition of them forgetting.
Thesis
T-Stopz’ Rosencrantz and Guildenstern are dead contrasts the confusion and language of the stage with the audience, commenting that because life is not a work of art we are not limited by the same laws of fate that characters are and therefore may exercise free will.
Quotes and why they’re important
·         “It is written” although this isn’t a long quote, this is a major moment of epiphany for readers. The idea that R and G were in a play before was obvious, but now we start to realize that everything that they do is written, and they can’t stray from the text. This line was a big help in writing the thesis statement.
·         “well, we’ll know better next time.” This is the last thing that G says before disappearing in the end of the play. Before this point, we as readers understand the loop that R and G are stuck on, but up until now, we were led to believe that they remained ignorant about it. We see here that G understands his fate, this too was a help in writing the thesis.
Major Motifs
o   Confusion
o   Language
o   Chance/ Fate
o   Death

o   Theatre